Showing posts with label Hardcore. Show all posts
Showing posts with label Hardcore. Show all posts

Thursday, August 30, 2018

Perfect World - Demo 2018





Year: 2018
Genre: Hardcore/Punk
Tracklisting:
1. Explaining Myself
2. Reaching Out
3. Push
4. Breaking News


New demo from Brooklyn based Perfect World has a classic hardcore sound and is recorded  with perfect sound. Excited to see them play this year!

Tuesday, February 13, 2018

SeeYouSpaceCowboy/secondgradeknifefight Split 7"



Year: 2018
Genre: Metalcore/Grind


Listen here:


tracklisting:

SYSC:

1. I Am A Trans-Continental Railroad, Please Run A Train On Me
2. Stop Calling Us Screamo
3. You Don't Understand The Liquor Is Calling The Shots Now Randy Bobandy
4. You Can't Get Goose Justice In A Fox Court, Just Spit On The Judge

SGKF:

1. Who what when where why did you take my bug collection (there’s no trust in this household)
2. don’t tell me you like monster energy drinks because I’ll break your kneecaps motherfucker (Tanya Harding shuffle)
3. My heart is broken but I gotta get my jetta fixed asap (no time for tom foolery)
4. glass vampires roam these darkened woods fellas (protek ya nek)
5. the devil is real and he tried to eat my ass (goodbye uncle fuck)



Thursday, June 15, 2017

SeeYouSpaceCowboy... - Fashion Statements of the Socially Aware


date released: June 15th, 2017
genre: Sassgrind/WhiteBelt

track list:



Physical Release:
format: 7"
pressing info:
109// Omni-pink 
167// Black 
20// tour edition 
4// changeover records


Sassgrind 5 piece SeeYouSpaceCowboy... from San Diego, CA. Bring chaotic grind mixed with sassy druggy weirdness and a good helping of Breakdowns. Calling to mind a mix of bands like Daughters, Heavy Heavy Low Low, Norma Jean, Blood Brothers, and early Drop Dead, Gorgeous.


Thursday, March 30, 2017

Regional Justice Center -Demo [2017] + Interview w/ Ian Shelton


YEAR: 2017
GENRE: POWERVIOLENCE

Tracklisting: 
1. Duplicity
2. Privilege
3. Fearful
4.Cannibalized
5.Iron



Ian Shelton is one of the hardest working people in punk right now. He recently released a tape from his new project: Regional Justice Center, in which he does vocals and plays every instrument. Ian owns Alternatives Label, directs music videos, and plays in Seattle's New Gods, Hiding Place, Self Defense Family, and countless other bands. He is one of my favorite people, and I'm so glad to get to pick his brain about RJC and his views on punk music as it is in 2017.



1.What are you so angry about?

IS: Haha, I'm not quite sure. I'm angry about different things on different days, more often than not just about the ways in which I have to interact with the people in my life that gets me stuck in my own head.
2.You wrote/recorded this all yourself, what instrument did you write the songs on, and what instrument did you record first?

IS: Which instrument I would start songs on would kind of vary. The first song I wrote for the band(which didn't make it onto the demo) was written drums up, then I made riffs to match. The first song and second songs on the demo were written on bass which I think led to me trying to cram more notes in because the freedom of not playing chords. The rest was mostly guitar, and then sometimes misinterpretations in the drums on the demo'ing process would make me reshape a riff and get a better product.

3.You told me this was the kind of hardcore band you’ve always wanted to be in. What took you so long to get a band like this going? Why the delay?

IS: I got really hung up in playing in other people's bands for a super long time. I got caught in really traditional youth crew and hardcore bands and was kind of made to feel like I was ridiculous for liking extreme music because I had no one to talk to or share in that interest with. Eventually I just felt like I had been bubbling up to do this band and just finally decided to do it.


3B. So then does this mark the end of you being in youth crew bands? Do you even like youth crew anymore?

IS: I think it has been tainted for me by being forced to be so traditional and not get the chance to explore much. The bands I've enjoyed of that style i still like, but it's never been anything that i've consumed 24/7, which is funny because that seems to be the impression of me from playing in those bands for so long.


3C. Have you had some sort of philosophical revelation caused by not waiting for others and just doing the exact band you wanted?

IS: Partially. Being in other people's bands I just felt I wasn't being allowed to be as creative as I wanted to be. I realized I've been doing bands for more than 10 years and it was time I made something that was 100% me.

4.On the next relase will you write/record the thing by yourself again?

IS: I'm not quite sure, the live band I've got together says they don't care about playing on recordings really, which gets me excited because I really enjoyed the process of doing this all myself, but I also want them to feel like they have ownership over the band as well. I would very much like to keep the people I have around instead of having my control freak nature cause me to replace the band a bunch of times.

5.In a world of punk saturated with bands, what would you tell someone who hasn’t listened to RJC why they should listen to your band instead of someone else’s?

IS: I guess I wouldn't say to listen to INSTEAD of someone else's music, I would just say "it's so short, why not just listen to it BEFORE you listen to the next record you were gonna listen to?"

6.Is fastcore/powerviolence about to be cool again?

IS: God, I hope so. I notice some things coming around that were cool the last time this style was popular so I'm hoping that people are just as bored of mid tempo as I am and start playing fast again. With that though, I imagine I would grow largely cranky with what people do because I won't feel it's quite right. It's lose/lose.


6b. Who are the kings of this style of music? Other than that it is more intense, is there a reason it is so much more nichey than like youth crew and metalcore?

IS: I would say the current kings of the style would be Wound Man, I think they are a band that is reinvigorating a lot of people's interest in fast music. I think it's niche because it's intentionally extreme and it takes a particular ear to appreciate it. Not very many people can approach a 30 second song with a bunch of parts and understand what is happening, let alone take away what is so cool about it.

7.Lots of tempo changes, do you just feel them out, or do you have a pretty intelligible/premeditated understanding of time signatures?

IS: A lot of it is feeling. I very intentionally wanted to make a lot of the blasts 4/4 and the driving breakdown sections 3/4 so they would be more of a waltz. It's not as groovy as it is kind of jarring. On upcoming material I've been trying to switch it up with 3/4 blasts and 4/4 breaks to have definitive tricks per record I make so they all can feel distinct even though being relatively similar.


7b. Who owns the blast beat? Is it a metal drum beat, is it a punk drum beat? Which blast beat variation do you prefer? Do you have a spiritual connection to the BB that is special to you? Tell me all your thoughts on the polarizing Blast beat.

IS: I don't think it's anything that anyone can own, the cool thing about it to me is that it's a similar thing that can be interpreted and applied in different ways across genres. If I had to pick a variation I prefer it would be the more "punk way", kind of simple and mechanical single kick with a lot of power behind it. I'm not a particular fan of the super soft bouncy blasts so I guess any type that isn't that I can get behind. I think blast beats is just that it imprinted on me at a certain age so I'll never be able to get out from under it.

8.What’s the goal for this band? How far are you gonna take it?

IS: I want to go hard for a short amount of time then break up and do a different band. I think maybe just an LP and a couple of splits with some touring then call it a day before I can ruin the legacy by making less cool stuff. I think hardcore bands stay together for far too long so I'm trying to do my part to change that.



8B. So if making a career band isn’t a goal, what drives you to start bands? Is there some sort of cathartice creativity energy? Also doesn’t it block your motivation for a band if you know it’s gonna break up in a year or two? Can a legacy be achieved in such sort of time, and if not what is your motivation beyond that?

IS: Don't get me wrong, I would love to be in a career band, I just know this isn't going to be that band. The motivation behind starting the non career bands is definitely just feeling like I want to do my interpretation of a style I enjoy, there's also some ego in there as well. Always the hope someone will listen to it and tell me good job.

Breaking up quick is something that is a newer goal of mine and I think it's making the whole thing feel more urgent so that I get it all out ASAP instead of feeling like it'll always be there. I don't know if a sense of "legacy" will be achieved but I know that for myself if I feel like I've only written good songs and left it at that then I will have achieved the goal I set out for, and hopefully it would be remembered as such(or remembered at all).

9.What kind of things are you talking about in the lyrics? If you had to write a summary for the message of your lyrics what would it be?

IS: I would say the general theme of the lyrics is inability to change. It's about embracing and rejecting that, It's good and bad, but for the most part it just won't ever change.

10.How do you want people to react live to RJC?

IS: I'm so used to people standing cross armed glaring angrily as if they hate what is happening that anything other than that is cool. If people physically reacted that would be awesome, but I'm also cool with people standing there hopefully thinking the musicianship is cool, which is the way I choose to enjoy most bands.
11.You used to be a front man, but you’ve switched to drums for years, how is it going to feel to be a front man again? What things are you gonna do different this time around?

IS: One thing that i was into the last time I was a front man was long winded speeches which is not a path I'm interested in going down this time. I've noticed anytime a singer seems to talk for more than 3 sentences in an unprepared fashion they end up contradicting and watering down whatever their point is as well as make the audience bored uncomfortable. I'm also not really interested in being as didactic as I once was, I would prefer people make their own conclusion about whatever it is we are doing.

12.What is the intended usage for RJC music? (AKA should I listen to it when I’m working out, should I listen to it when a cop hassles me? Should I listen to it when I’m happy?)

IS: It's so short and fast that it seems like you can't do much while you listen to it. My friend Mat told me he ran his fastest time to the new Power Trip record and I think our BPM is even faster, so maybe listen to it while running? It's just over 4 minutes so it would be cool if someone got a 4 minute mile while listening to it.

12b. What is your vision for the imagery of the band? The first release had punk aesthetic looking

cops on the front. I’m assuming linked to the RJC bit. But what place does imagery have in RJC’s music? Where do you want the imagery to go on future releases?

IS: Originally my vision for the band was super traditional with the imagery. Historical photos with a boxed logo on it but then as I was trying to lay it out for myself I was underwhelmed and didn't feel any ownership over it. Then I took a picture of the actual place "Regional Justice Center" and tried to put a logo on that and it was too on the nose so finally I had this guy Augie draw a version of a picture I liked of a bunch of sleazy cops standing around and I thought it was perfect. For the future releases I might just do a similar approach of having him or someone else draw a photo I like and see how it turns out, I kind of won't make any decision on that until I can listen to the tracks and look at the art at the same time.

12c. And finally, with powerviolence/fastcore genre what is the role of imagery, what are some album covers that stick out to you, what could be improved in this genre art-wise?

IS: I think as far as historical record covers I wouldn't change anything. It's a strong format taking amazing pictures and putting your logo on them, I just found it didn't work for this specific record otherwise I would have done it myself.

13.is it gonna be hard for you to let other people play your drum parts?

IS: Extremely hard, so that's why I'm not gonna make anyone have to deal with that and I'm opting for drumming and singing. I figured I would be too much of a control freak and there's not many drummers I completely trust that don't already play in a thousand bands so this is probably the best way for now.


13b. Hold up, you’re going to Aaron Gillespie (http://img2-ak.lst.fm/i/u/arO/48762ce99a664d6a9e988f50eefc0ec7) this band?


IS: I don't know who that is.


13c. Having a singer play an instrtument too usualy changes the band to more of a spectacle to watch rather than a physical demonstration. (though typical of PV bands.) are you prepared for that, do you think it will damage the live presence of the band? Will it make people respect the band more as a sort of talent exhibition?

IS: I guess I hope that it would make someone respect it instead of hating it. I'm fairly used to no one moving around or going crazy during a set so an added layer someone can have to appreciate just musicianship is fine by me.

14.You said you already have new songs written, what is different about the new music and what do you wish you could change about the songs already written?

IS: I'm pretty happy with the songs on the demo and wouldn't change much. There was one song I recorded that didn't make the demo that I was mainly unhappy with vocally so i figured I would rework it and put it on the next release. As I mentioned earlier I am trying for some more triplet 3/4 blasts to mix up one of the most consistent parts of the songs. I'm going to rip off "The End" by The Beatles super hard and I'm excited if many people notice it, and if they notice it if they think it's an abomination.

15.What movie would you allow RJC’s music to be on the soundtrack for?

IS: Pretty much anything really. It's fairly unmarketable so it would have to be like a scene where they go to the punk club or the record on in the background as the young punk kid accidentally dies while doing auto erotic asphyxiation.[]



-MM

Friday, February 10, 2017

René Descartes - S/T


Year: 2017
Genre: screamo 



Tracklisting:
1. Those lives Found In That Time
2. Subjugation Of Physical Validation
3. Repressed Life Lessons

physical Release:
format: cassette tape
labels: 


Cassette Pre-orders: US here  & CAN here


4 piece screamo project from San Francisco, combining strained screams and high shrieks with instrumentals varying tone creating a juxtaposition between bright upbeat and bleakness. 



Saturday, December 10, 2016

SeeYouSpaceCowboy... - Demo [2016]





Year: 2016
Genre: sassgrind / Whitebelt


Tracklisting:
1. Left Turn Right Way
2. Rejection Hotline Greatest Hits
3. Diss Tracks In Iambic Pentameter
4. Albert Camus Is My Life Coach


physical release:
label: Structures//Agony Records
format: Cassette Tape
pressing info:
25/ magenta tapes
15/ clear w/ black liner tapes (Kali Tour Exclusive)

order here


Listen/Download


4 piece Sassgrind band from San Diego, CA. Combining grind elements with metalcore and sassy vocals alongside guteral grows and screams. Members of Letters To Catalonia and Rene Descartes. 

Wednesday, August 17, 2016

Seattle's New Gods - "How's it Going To End?" [2016]

One of the most promising bands out right now. Washington's grunge/punk outfit: Seattle's New Gods have released a new 7inch on Anybody's Flowers. Raw energy we've rarely heard in this decade.

Tracklisting:
1.How's It Going To End
2. Foregoing

Tuesday, June 7, 2016

AMYGDALA - Population Control


year: 2016
genre: hardcore/emo-violence


tracklist:
1. Rose Buds
2. Punkerxs Del Barrio
3. Apathetic Psychoanalysis
4. These Men Arn't Sorry
5. We Are The Resistance 
6. Healing In A World Where We Don't Exist
7. Wandering Eyes
8. Population Control II
9. Abandon All Patriarchy 
10. Counteractive Activist


physical release: 
format: 12"
labels:
React With Protest (germany) 
Mosh Potatoes DIY (Belgium)
Structures//Agony Records, 
Middleman records, 
Ozona records 
Citizen of the world recordings. 





the 12" debut of Anarcho hardcore/screamo band Amygdala "Population Control" delivers visceral tracks about CHILD SEXUAL ABUSE/ PATRIARCHY/INNER MISOGYNY/COLORISM. This is definitely one of the most important punk albums of recent memory. 

Monday, December 14, 2015

René Descartes - Live Demo Songs


year: 2015
genre: screamo/emo

tracklist:
1. .
2. ..

physical release: none



René Descartes is a new screamo band based out of San Francisco, CA. This band contains members of twinkly screamo band "Flowers Taped to Pens/Meryl Streaker" and Anarcho screamo band "All My Wishes Were Thrown Down A Well And Should Die There". As of now they only have two phone recordings from practice but a real demo is on the way. Give it a listen if you enjoy energetic screamo with dashes of twinkle and heavier riffs as well. 

Monday, November 30, 2015

Cassus - This Is Dead Art; This Is Dead Time; But We May Still Live Yet


year: 2015
genre: screamo

tracklist:
1. Tablecloth Warfare
2. Publicitaire
3. Exchange Rates Are exactly What They Used To Be
4. Tired of Being Tired?
5. Interlude
6. Glitter Is Made Of Plastic
7. We Are All Broken Circuits
8. Proto-Post-[Axiom]
9. Bubblegum Baby

physical release:
format: 12"
labels: 
React With Protest 
Structures//Agony Records
Don't Care Records
Framecode Records
Samegrey Records




Cassus delivers a new LP "This Is Dead Art; This Is Dead Time; But We May Still Live Yet" and it will blow you away. This release hits you hard and fast with dynamic driving sections full of distorted screams and chaotic melody. The riffs combine erratic energy with a certain dramatic beauty, coming across and not just your typical constant instrumentals and instead conveying layered emotions.  Vocals wise they are a combination of harsh screams and raspy "clean" singing. This LP contains 9 tracks all worth your time. 



Thursday, April 23, 2015

All My Wishes Were Thrown Down a Well and Should Die There - In Hopes Of a New Tomorrow


year: 2014
genre: screamo

track list:
1. Entropy
2. Estropie
3. Slave Trade
4. Systemic 
5. Epitaph
6. Armada
7. Pig Destroyer
8. Abnegation


AMWWTDAWASDT is a Anarcho screamo band from San Diego, CA. They combine crunchy guitar with screaming politically charged lyrics/vocals that bring to mind older bands like Louis Cypher, Kodan Armada, etc. With songs ranging from energetic romps like "Estropie" to calmer reflective songs like "Armada". This release is solid, thou containing some lack luster songs. Despite that I still recommend this album to any fans of older screamo.

Sunday, March 8, 2015

Flowers Taped To Pens//Bread Club//Beds//Skull Kid split 7"


year: 2015
genre: emo/screamo
buy the 7" here

pressing info:

100// bone w/ lavender 
100// light blue
100// light pink
100// grey

This split brings together 4 bands from the West Coast and East Coast together for one split. The bands bring everything from raw screamo to 90's emo to twinkly and more modern emo. It's being release through various DIY labels, Driftwood Records (WA), Cool Shoes (PGH), Mutt Tapes (WA) and international labels Little L Records (IRE), Dingleberry Records (GER) and Age Crisis Records (AUS). Pre-orders are currently up through Driftwood Records.

Saturday, December 27, 2014

New Bread Club track streaming on Couch King!





Check out the new Bread Club track streaming on Couch King today! It'll be on their split with Flowers Taped To Pens, Beds, and Skull Kid!
This 7" split will be available via Ozona Records, Driftwood Records, Dingleberry Records, Cool Shoes Records, Little League Records, and Age Crisis Records.
Pressing info:
Mystery variant /100
Light pink /100
Baby blue /100
Gray /100

Bread Club: bandcamp

pre-order up soon.

Monday, December 15, 2014

Driftwood Records "Secret Satan" Sale


DIY label Driftwood Records is having one last sale for the year 2014, before they close their store till  January 1st.

-Use the code "hail santa" to get 17% off your order
- free shipping on orders over $50
- all mystery items are buy one get one free.

you can get tons of tapes, 7", 12", merch and more from bands like ANNAKARINA,Flowers Taped To Pens,  Of Us Giants, Roanoke, Human Kitten, Park Jefferson, Things Fall Apart and many more!

The sale last December 15th through the 22nd so act fast!

store
facebook

Monday, December 1, 2014

Hollow Earth - Silent Graves [2014] - Interview with guitarist Mike Moynihan.


Year: 2014
Genre: Metal, Hardcore
FFO: Turmoil, Neurosis

On tour last year we played in Toledo, Ohio with a band called Hollow Earth. The entire day rumors were flying of  staying the night with a man named Mike. Everyone on the tour seemed to have some sort of innate knowledge of who this man was. He seemed to me to be a celebrity of sorts, different stories of him were circling around the group the entire day leading up to our eventual meeting. We drove a few hours out of the way to Detroit just to spend the night in the presence of this guy. When I finally met Mike I was blown away. He seemed to be the most interesting and funny person I had ever met. He was a great conversationalist and on top of all this, his sincere and disarming demeanor helped make a stranger like me feel welcome in his home. Meeting someone like Mike raised the bar for me to what you could accomplish and bring to the table in interpersonal relationships. Over the next year we got to go on a tour with his band Hollow Earth. 
Turns out his entire band is full of extremely interesting and engaging folks. The whole tour consisted of grand antics, great games/conversations, and pre-show parking lot sports.  After getting to spend all this time with Mike and Hollow Earth I can say not only  are they great musicians but they are of the highest caliber of human beings and have influenced me and transformed my ways of communicating and relating to others greatly. Here is my interview with Mike about Hollow Earth's wonderful new album: Silent Graves.

1. Hollow Earth's new record: "Silent Graves" recently came out on Panic Records. What's the story behind your involvement with them? 
The story is basically that we were in MA recording We Are Not Humanity with Jay Maas, and as soon as it was done, we couldn't wait to post a couple songs and have people hear what we had been working on for the months leading up. 40 minutes later we got an email from Timm asking to hear the record. Someone I'm friends in the Northwest hit him up and was like "yo check this shit out". We sent him the whole EP and he loved it. The rest is history. Timm is our boy and has been nothing but incredible to us. He took a chance on some band no one knew because he liked the music, and that means the world to me. I'm glad I got to know Timm, seeing how he's one of my favorite people, even though he'd argue that he's my favorite.  

2. What jobs do you do in the band? (instruments, lyrics, art, business, tour routing, driving, etc?)
I'm the primary songwriter. A lot of the foundations of the songs come from my shitty brain, and I bring those ideas to practice and let everybody riff them out how they feel is best. A band is more than one person, and I learned the hard way how much it sucks to not be part of a band but just to be someone who plays the songs. Other than that, we all share responsibilities with loading, driving, and doing what needs to get done. 
3. Where do you write for the band? (in your room, at band practice, in the park, in your head while driving? etc.)
I write a lot when I'm at home fucking around on my guitar. We all bring stuff to practice when we have it and try to make it work within a song. 
4. Will you show anyone in your family "Silent Graves" and what will they think?
I've already shown my mom. She said "I like the music but not so much all the screaming."  Maybe one day I'll write music my parents will want to listen to.  

5. Can you give us an outline about how hollow earth was formed and your time in Shai Hulud and your spontaneous move from FL to MI. 
It starts when Steve got involved with Shai Hulud and met in January of 2010. We were immediate friends and over the course of the next year of touring, he became of of my best friends. Fast forward to October of 2011 when I was in Europe, skyping with Steve just to catch up. He tells me he bought a van and our friend had moved from NY out to MI to play drums and they wanted me to come play guitar. I had riffs that I sent them and they loved them. I came home from that tour and was home for an hour before I started my drive to Michigan. I've been in Michigan since November of 2011, and we're still kicking. 

6. I know members of hollow earth are vegan and that this lifestyle influences a lot of the lyrics. Can you talk about these lyrics, and what other topics are covered on Silent Graves?
The only lyrics that it really affects as the lyrics in the song World To Come. Steve and I wanted to get a little ignorant and write a vegan song, but didn't want to be ignorant about it. We kept trying to think of a cool way to present the topic, and it didn't come until we were in the studio recording the album. 
We wrote the song from an animal's perspective, it's last day alive in a slaughterhouse. We wanted to capture the helplessness and complete rage a creature feels towards its murderer the moments leading up to its death. I think we nailed it.

7. If Hollow Earth broke up today what's the one thing you'd remember?
I'd remember jumping off a lot of rocks and writing music that challenged me and made me proud of my creativity. 

8. If you could have it your way what would happen to Hollow Earth?
People would like our band and we could get paid enough to tour that we could sustain ourselves and stay out for longer chunks of time.  

9. What factors determine whether you'll stay at home for the night or if you'll go to the show?
If I like a band that's playing, if I have the money to spend, and honestly if I even feel like being around people. Not that I'm anti-social by any means, but I spend a lot of my time around people, and sometimes it's nice to chill by yourself and be in your own world 

10. What do you do outside the band? Do you date?
 I nanny 2 girls as a job, play guitar, and watch movies. I don't really date as much as I like to, but I'm always willing to change that. 

11. What's the worst thing you've ever done?
One time when I was 15 I flipped a lemonade stand over on a girl who couldn't have been more than 10 years old. She got soaked in her own lemonade and cried  

12. Tell us a little about your personal background and your entrance into music.
 I had parents that loved Classic Rock and an older brother that loved Nirvana. I was introduced to Weird Al when I was 7 and to this day, he's still my favorite musician. I got Green Day- Dookie when I was 8, and Offspring-Americana when I was 10. My first show was AFI and Thursday when I was 12. I lied and told my parents I had to work on a project at a friends house to be able to go. 

13. You are one of the most sociable and fun to talk to guys I've ever met. Do you think this attractive temperament was somewhat formed as a result of your non-stop touring since age seventeen? How has being a relatable and personable guy influenced your life as a musician?
I honestly think my outgoing and personable nature is a result of moving 14 times before I finished high school. Being young and having to start over so many times, you either turn inward and become introverted or do the opposite and choose to be obnoxious and make friends. I chose the latter. 

14. You meet a lot of people on a regular basis, and many people seem to have memories with you. Do you remember everyone you meet? Is there enough room in your heart for all the friendships and relationships you form on a regular basis? 
I think there's enough room in my heart for as many friendships as I can take on. Does my brain keep up with the madness? Not always.  I do my best to remember those who have impacted my life, but it doesn't always work. 

15. Do you plan on keeping on keeping on with music and touring for the forseeable future or do you have an alternative plan in mind?
My plan is to keep writing and performing music as long as I can. My backup plan is eating myself to death. 

16. Let's say divine intervention prevented you from doing music, what would you do with your life if you couldn't do music?
 I honestly have no idea. Talk to people. I'm good at that.