genre: Screamo/emo-violence
label: Trends Die Records (TX)
format: 7" vinyl
pressing info:
100// clear w/ smoke
100// opaque violet
100// black
Showing posts with label Meryl Streaker. Show all posts
Showing posts with label Meryl Streaker. Show all posts
Friday, November 7, 2014
Monday, October 27, 2014
Meryl Streaker 8" lathe
genre: screamo/emoviolence
year: 2014
tracklist:
1. call to arms
2. see it through
3. expect resistance
Meryl Streaker is releasing their 3 songs from their split with Nayru as a lathe through Driftwood Records. These are currently up for pre-order right now and will be limited edition with only as many as are pre-ordered being made. the lathe is an 8" black tinted with silver swirl/marble and will have screenprinted covers on brown cardstock as well as a lyric insert.
Saturday, July 19, 2014
Nayru//Meryl Streaker Split
genre: Screamo/emo-violence
year: 2014
tracklist:
1. Nayru// The Monster Inside Me Has Grown So Big
2. Nayru// God In The Wired
3. Meryl Streaker// A Call To Arms
4. Meryl Streaker// See It Through
5. Meryl Streaker// Expect Resistance
Two screamo bands from San Diego...
Friday, May 16, 2014
Meryl Streaker - Sky Burial
genre: Screamo/emo-violence
year: 2014
tracklist:
1. A Mile In Ed Gein's Skin Shoes
2. My Ishmael
3. Transposed Skeletal Rebirth
4. I Want To Die Wondering
5. Insignificant Steps and Shallow Breath
New album from Meryl Streaker who will be going on a west coast tour with Nayru in July.Dark screamy stuff
Wednesday, February 5, 2014
Meryl Streaker - I've Lived Long Enough - Demo
genre: screamo
year: 2013
tracklist:
1. Peace and Quiet
2. Death Of A Young Planet
3. The Hardy Boys Kill A Rapist
4. Collage Portraits
Meryl Streaker is a 3 piece emoviolence band from San Diego, California. Their first Demo, I've Lived Long Enough, expresses precisely the sentiment that its title suggests. The lo-fi, 4 song barrage of rumbling feedback and piercing squeals clearly maintains an overlying theme of apathy; between the improvised vocals, particularly minimal moments, and "Sorry about that, this, uh, the thing fell off-- at like halfway through the song" that obviously suggests hasty recording. However, Meryl Streaker definitely pulled off the lo-fi. You always wish that the drums were better quality in these things, but their harsh, dense guitar tones/recordings provided a very nice atmosphere, even in the brighter emo parts, surprisingly. The multiple guitar parts layered very nicely and seamlessly, and just turned out awesome granted what they were working with. Despite the hasty feeling the recordings give off, you can certainly tell what parts were written with more care when the drums/guitars/vox align out of the chaos and just jam. Some truly groovy shit you weren't expecting during the clusterfuck just 10 seconds ago. If nothing else, please listen to "The Hardy Boys Kill a Rapist" for the stellarly-written Yamantaka
Eye-esque vocal wobbles.
-Kyle
Subscribe to:
Posts (Atom)