Showing posts with label grunge. Show all posts
Showing posts with label grunge. Show all posts

Wednesday, August 17, 2016

Seattle's New Gods - "How's it Going To End?" [2016]

One of the most promising bands out right now. Washington's grunge/punk outfit: Seattle's New Gods have released a new 7inch on Anybody's Flowers. Raw energy we've rarely heard in this decade.

Tracklisting:
1.How's It Going To End
2. Foregoing

Wednesday, March 4, 2015

New God's - What Did I Say?



Genre: punk, grunge, garage
Year: 2014

Tracklist:
1.What Did I Say?
2.American Pleather
3.Where Do I Go From Here?
4.Function


The actor looks straight in the camera. His eyes squint with the faintest semblance of resolution...and insanity. The whole film has built up to this.....his revenge. "What Did I Say," the titular track of Seattle's New Gods latest effort, begins blaring as the scene unfolds. Whether it be the external attack on the powers that be, or the internal struggle against constriction of the mind, "What Did I Say" provides the perfect background music to your mutiny.


LINKS:
https://www.facebook.com/Seattlesnewgods/
https://newgods.bandcamp.com/

Saturday, December 13, 2014

Dream Ritual - Self Titled 2014 Album Experience


Year: 2014
Genre: Rock, Grunge, Alt
FFO: Soundgarden, Smashing Pumpkins


To preface these next few paragraphs, I would like to say that this is NOT an album review. I perceive album reviews in a very negative light. Music, along with most other subjects in life, is indefinitely a topic of subjective opinions. It is impossible to conclude without biased opinion that, per say "The Beatles are the best band of all time" or "Paranoid is better than Sabbath Bloody Sabbath", but we all know that. So this read is one that I call my "album experience", or a personal account of my thoughts and overall experiences with a certain record. After reading some absolutely hysterical album reviews of the Dream Ritual self-titled record, including those comparing the sound to the likes of August Burns Red, Breaking Benjamin, and Linkin Park. If you haven't heard the record yet, go ahead and click on the above "listen" link, then maybe you will understand the perplexity that I was faced with when hearing those comparisons. I know, like I said earlier, its subjective, but to me, that's just flat-out wrong. After reading those misrepresentations, I knew that I had to talk about the record for myself. So here it is.

From 2009 to present day, the underground music era has come full circle bringing many old musical styles and ideologies back in. It seems to be an endless cycle of recurring trends... something gets big, fades out, and in x amount of years, gets picked back up again by nostalgic and in-vogue up-and-comers. However, something that I commonly find, is that most people simply do it wrong. They try their very hardest to recreate the past verbatim. Often in doing so they either leave behind so much originality and creativity that most people would prefer the original, or they completely butcher the replication. With that being said, allow me to rant for a moment about one of the most popular (and annoying) of the revivals: grunge. The term has become allegorical for any music that includes: loud guitars, fuzz pedals, long hair, flannels, shoddy singing, converse, and a list of various other things that make me want to put away my headphones for good. Don't get me wrong here, I love "grunge" and the "Seattle sound" that it truly represents. Nirvana, Seaweed, DJR, Soundgarden, Smashing Pumpkins... are all bands that really get me going. In my eyes, however, this whole modern day revival thing is truly a sham.

Over the years I continued to completely deny the renewal and more or less whine on the subject. Until one day, unwarranted, I came by the band Dream Ritual (then known as Wish). At the time, they had only released one single, "Fade". The dynamic, stimulating, and overall aggressive intro featured all sorts of ear wrenching feedback, pounding drums, and a stomach churning bass line that had me attentively awaiting what was to come. Already feeling the "grunge" vibe and my pessimistic side taking over, I was waiting for the massacre. I said to myself, "this is off to a great start but just wait, thirty more seconds and I bet my suspicions will be confirmed". Thirty seconds later and that bet was undoubtedly lost by the timeless unison of the mesmerizing guitar leads backed by fuzzy rhythm and above all, melodious and surprisingly robust vocals. I was hooked. The song exceeded any expectations by a long shot. Days later, after only one listen, I found myself unconsciously humming and singing the catchy chorus "I will never fade away....." repeatedly. It was a glorious eureka moment. I truly felt like I was back in the 90's, watching Kurt dive into the drums and smash his Mustang. At the same time, I also felt like I was listening to a band that I hadn't heard anything like before. It was not just a straight rip off, but twelve inches of creative, fresh gold. 

For times sake, I won't give a break down of each song. But overall, this record blew me away. "Fade" was just a surface level introduction to a truly deep and intuitive record that holds its ground in all aspects; from those heavy, head banging, make you want to jump off the stage riffs (notably the song "Little Speck"), to the enthralling and dazzling feel good components (notably the song "Hamptons"). Most songs take you on a wild roller coaster ride of feelings, like the aforementioned song "Little Speck". The song, or ride, takes the listener from a spacey and flangey introduction, to a foot tapping, sing along chorus. Next, the ride takes an upside down spin, with a hair tearing heavy riff that will make even the most serious of metal heads hold their PBR's and "horns" up high. Seamlessly, the song takes the listener from that aggressive mood, back to floating in space to close out the song. The record clocks in at just around 27 minutes of pure blissful anomaly. 

To accompany all of the excellence that the music provides, the vocals and lyrics pack a punch that cannot be ignored. I personally found each song relatable and relevant to me in one way or the other, most notably my favorite line from the song "25", being; "I don't want to die at 25, I want to live for forty more. When life becomes a chore, its such a god damned bore. So when I die, at 25, don't let the time pass me by." The mix of exuberantly aggressive screaming/singing with the calm and tranquil vocal patterns really take the already great instrumentation, and amps it up even more. 

In conclusion, this is a record that cannot be missed. Due to the band's unfortunate origins, I am afraid this record is one that could catch a blind eye from some listeners. Dream Ritual is a band from, as they say, "the middle of nowhere", and knowing some of the ins and outs of the industry, it seems to me that if you aren't from NYC, LA, Seattle, or other major cities, it is near impossible to have your music heard. As another testament to this band's quality, they were quickly picked up by a small but well known label, 6131, respectively. The label must have had a similar experience as myself, knowing that they had to give this band a chance. The overall mix of grunge, rock, and even sometimes dream-pop makes this record a must mention in my top album lists of 2014, as it is a top contender. If I had to compare them to bands myself, I would mention some like The Smashing Pumpkins, Soundgarden, Green Day, Swervedriver, and Nirvana. An interesting mix of bands, I know, but it makes sense, at least in my opinion. Be sure to give it a listen for yourself and prepare for what is to come from the band, you won't regret it.

-CM

Wednesday, April 2, 2014

New Gods - Sex & Destroy


genre: punk, garage

year: 2014

tracklist:
1. Sex & Destroy
2. Kludge
3. I May Not Always Be Right


New Gods is a Seattle based punk band whose new EP is gonna make you crave the digital pipes of "Tony Hawk's Pro Skater". Today we have a titillating interview with front man Alex Klump, who became a candidate for New Gods after the band saw YouTube videos of Klump's stage diving & moshing. From the clog clad cover art to the curious slow-mo music video: "I May Not Always Be Right," I was very curious to see what's inside the mind of Alex Klump.

Q. Describe the genesis of NG
A. New Gods came about through the dissolution of the band the guys had been doing. Ian called me in late May of last year with that news and that they would like me to front the new band he, Che, and Qyn were doing. I had never been involved with any musical endeavors prior to New Gods, which only worked to increase my excitement about the proposal.

Q. What are you singing about?
A. I feel uncomfortable writing about things that are not personal experience. I would suspect that to be universal? Well, this means, basically, that the songs I write will be (and are) mostly about things going on in my dumb brain. One of the few exceptions to this happens to be the namesake of our new record. Sex & Destroy is my dissatisfaction with societal views on sexuality. Sex is completely and unsubtly ingrained in all our lives. It is a natural inclination that, for the most part, hurts no one and has no bearing on others. And yet, there are those that want to deny the universal nature of sex and sexuality by shaming and shunning it. This could be for any number of reasons, though I specifically touch on self-hate/self-repression in Sex & Destroy.

Kludge (and to a degree I.M.N.A.B.R.) is dissatisfaction with myself. As mentioned earlier this is typically the place where I get most of my “inspiration”. I can’t help but over analyze and second guess myself. These are things I try not to dwell in, but self-doubt doesn’t really care how I would like to feel.

Q. Where do you write your lyrics?
A. I have trouble purposely sitting down and banging out lyrics. Ideas usually “hit me” then I extrapolate on them from their inception. I have written a few songs on the ferry over to Seattle on the night of a show or right before recording. Sex & Destroy was written the day before we recorded and I think it is the best song I have written. My process, from idea to full song, is simple, but I always have to be 100% on the final product. To use Sex & Destroy in another instance, sometimes the lyrics work instantly and they don’t need to be reworked (in any substantial way). Other times the idea is there but the lyrics borne from the idea are all over the place. The lyrics are the one major piece that I contribute to and have to vouch for so if they are not “there yet” then why use them?

Q. Will you show anyone in your family "Sex & Destroy" and what will they think?
A. I think my immediate family would appreciate Sex & Destroy. I am a completely open person and I would not write things that I would not want to share with others, whether they are my family, friends, or strangers. My mother has also been hounding me to read my lyrics so I am going to throw everything at her at some point. She had reservations about the band being called New Gods, but she trusts and understands my viewpoints and I would have to assume that she and others would view my ideas as valid.

Q.What factors determine whether you'll attend a show or stay home?
A. My show going is bound completely to my place of residence. I live a ferry ride over from Seattle and as punks are wont to do they start their shows late. Because of the ferry schedule I either have to leave shows early or hope they are on the weekend. I have actually driven down to Tacoma a few times recently for weeknight shows because why the hell not?

Q. What do you do outside the band? Do you date?
A. I work at a daycare and by years ends I will have completed my Bachelors in Communication. If I knew how to date I suppose I would be keen to the idea.

Q.Last song listened on you iPod?
A.The last time I used my music device I was on a big M kick. From most recent: Merchandise’s (Strange Songs) In the Dark. Before that it was Milk Music’s Beyond Living and The Men’s We Are the Men.

Q. What's your diet like?
A.Mostly peanut butter.

Q. What's the worst thing you've ever done?
A. I cannot think of anything off the top of my head, which pleases me. “Worst” seems relative anyway so instead I’ll keep with the “I’m a super open and down dude” theme and give you what I think is the wyldest sexual experience I have had. Now, keep in mind I do not have too many sexual experiences as it is. That is why I think this stands out particularly.

Once, whilst at a partner’s residence, the lady asked me to straddle her while she lay on her bed. In the process of her performing fellatio in this position she stopped and said, bluntly, “Step on my face.” I was both taken aback and intrigued. I believed the position we were in to not be conducive to such a maneuver, but, with dong in mouth, I was actually able to get my foot onto her face. As I write that I see that this story also applies heavily to “Sex & Destroy” (in both name and lyrical content). Funny how things work.

Q. If everything went as you would have it, what would happen to New Gods?
A. This is an interesting question. I like to let things come. I hate prognosticating and expectations exist only to be seen unfulfilled. I hardly ever think about the future as it relates to things that are not yet realized. I’ll stop dodging now and try to offer an actual answer: In my ideal world people will like things that are good and I (ever modest) think New Gods has a good thing going. I want to play in front of people that are interested and I want to put out music we as a band are proud of, intrigued by, and pushed forward through. I don’t care about superfluous details as it pertains to quantity. I want everything New Gods related to be quality. Does that answer the question decently enough? I think that makes sense.

Q.If New Gods ended today what would be the one thing you would remember?
A.The first thing that I think of when it comes to New Gods, at this moment in time, would be how exhilarating it is to play music and put ideas I care deeply about out there for others to take in and make their own unique judgments concerning. It is a combination of nerve-wracking and self-actualizing that lets me know that I am capable.

Thanks for the interview and thanks to anyone who checks out and supports the band. It is and always will be greatly appreciated.

Thank YOU Alex! Check out New Gods on their spring tour!

5/2 - Seattle, WA @ The Nuthole w/ Ill Intent, Nudes, and Bricklayer
5/3 - Eugene, OR @ The Boreal w/ Skeeve
5/4 - Oakland, CA @ The Hive w/ No Limbs
5/5 - San Jose, CA @ Cielito Lindo w/ Violent Reaction, The Flex and Permanent Ruin
5/6 - Sacramento, CA @ TBA
5/8 - Murrieta, CA @ The Dial w/ The Coltranes and Half Goon
5/9 - San Diego, CA @ Dog Haus
5/10 - Tucson, AZ @ TBA w/ Man Bites Dog, Psygoat and Get a Grip
5/11 - Flagstaff, AZ @ The Cottage House
5/13 - La Puente, CA @ Bridgetown w/ Deadbeat and Feel Nothing
5/14 - Fresno, CA @ Chinatown Youth Center w/ Gorilla Stomp and Reunion
5/15 - Chico, CA @ Basement of Frustration

-Mason Mercer